Monday, January 16, 2017

Ultraviolet Aliens

As a saltwater enthusiast and science geek, I have lately been astounded at how little is out there to read about dolphins. My most recent encounter on the Atlantic Ocean was with the similarly neglected Portuguese Man O' War. These are H.G. Wellian non-jellyfish. Alien colonies floating around with prickly poisonous pearl strands. And they are beautiful.
UV flashlight illuminating liquid highlighter pen
A week ago I bought an inexpensive UV flashlight. It is advertised as a tool to highlight pet urine stains, but I actually just wanted to own a light which sends out rays in the UV spectrum. Dog urine indeed permits an exceptional glow, once dried and the phosphors are left behind. Mr. Clean also lets off a spectacular sheen. I certainly did not expect to wish I had my UV flashlight with me when out paddling in Biscayne Bay near Miami, where I had my first multiple sightings of these Dale Chihuly designed floating sculptures. A brilliant blue one became wrapped around the paddle swirled by a man in my canoe, and it was soon in his lap, then twirling itself around him with the grace and stealth of a killer necklace. The victim did let me know the sensations were like those of being stabbed by numerous hypodermic needles.

I soon read as much as I could about the alien. One theory suggests that their brilliant blue and purple colors help the colony absorb the nonstop exposure to ultraviolet rays. I am only able to form in my mind's eye what it would be like to illuminate one of these beautiful monsters with my little flashlights and may have to add some of them to a short story about ultraviolet aliens. In the meantime, here is a link to some beautiful photos and video by someone who is much more infatuated with these creatures than I am: Deadly Beauty

And here is another image generated by a computer. What in the world are we looking at?
Computer Generated Siphonosphore



Sunday, January 8, 2017

The Future of Science Fiction

2017 feels like the future. It's so close to 2020. Over new year's drinks with neighbors, I was asked if my most current book is science fiction. The question comes from people who just watched Rogue One: A Star Wars Story but do not read science fiction. Why? Would it confront their fear of science?

Science is an approach to understanding the world through repeatable experiments, the kind of experiments that lead to our ability to make movies. Is the non-science fiction reader afraid that Occam's Razor will gut the world of its fantastical assembly? Does knowing what a nanometer is crash the absurdity of the Romantic English measurement system we use in the U.S.?

My current novel, The Green Eyed Monster, is a story about what happens when people are no longer able to differentiate between a technology-based, virtual reality comic book and their "normal" lives. Though it is possible that their blindness to the fantastical nature of reality is blemished by their enthusiasm for technology and the explaining away by science of the profoundly exotic essence of life on planet Earth.

Science is a language, which relies on alphabetical type, character-based language in order to be discussed let alone proposed. Science is, as far as I am concerned, a fiction. If I name the color green by the stripped down Latinesque of nanometry, and call it 510 nm, it seems to sterilize the beauty of the color. If I substituted 510 nm for every time I use the word green in The Green Eyed Monster, I imagine it would make reading the book a tough go. I imagine the title The 510 nm Eyed Monster going over like the lead balloon.

I use some scientific language, frequently technology or quantum physics based in many of my stories because they are languages I use to understand my world, one which is exceptionally fantastical to me. Science, as a language, is like any other, and it falls severely short of capturing our amazing lives. For me it serves to prop up the world myths I harvest, recycle and give back to you.

If I use the word "silicon" - does it mean I'm downgrading a glass wall? Or am I celebrating the shiny crystals, which have semiconductive qualities to you and California but magical qualities to me?

Let us not allow the language of science to downgrade our tour of the solar system on our aquatic iron ball. Science fiction is our neomythology, as relevant now as myth was to the alchemists. Realism will pass and turn into a Wikipedia article hundreds of years from now. But Star Wars will live forever.


Thursday, April 21, 2016

MOM II

She moved to Oregon for retirement. The neighbor told her he had won the lottery and would she and her husband like to go to Hawaii with him? They flew there today, the geriatric lottery winners heading toward Mark Twain's first San Francisco Chronicle assignment. I bought his letters from Hawaii at the Mauna Loa National Park gift shop when I visited years ago. I had a friend, a guy named Cowboy Dave because he always wore a cowboy hat--even when he was snorkeling--who similarly made his way to Hawaii under unique and beneficent circumstances. Perhaps that is the draw of the islands. The Polynesians won the ocean current lottery when they landed there then lost when the ministers brought small pox or chicken pox or one of those awful festering diseases.

Mom is in a limo cruising the tropics, a far cry from Charlesroi.

Friday, April 15, 2016

MOM

A pink cupcake and my fist coming down in it, spattering through 8mm filmstrip sprockets. Who made me? A thumbed thorny rose in front of Los Angeleno stucco. The kids speak Spanish. This is my home. I am becoming self-conscious. Tall blonde coils and a polyester jumpsuit, belt astride the hip. She is angry at me because I pissed in the little garbage can. She bakes bread and makes strawberry jam with her hands, sews my clothes and tolerates me when I plant morning glory in the garden, not realizing it is a weed that could choke off the lemon and lime trees. She does not have a birth certificate. She was born in Charlesroi, Belgium, now a safe haven for terrorists. She has never read anything I’ve written other than that coy old exposé of Jerry Springer. She is a cripple from the time her car went off the highway overpass. She has no education. She has been to Tierra del Fuego and Morocco and Fresno, California where ripe figs like women's thighs split on the sidewalk when the earthquake rolls it. She is my Mom.


Lillian Marie was named after the song Lili Marlene, the old World War II song about a prostitute. This is her memoir written by me. Maybe one day she will read it. Maybe not.

To be continued.

Sunday, December 27, 2015

The Hottest Woman in the World

CHAPTER 1                                         Electricity


Sulfur Toughlove, hater of love, was in temperament and physical composition indeed all things blue fire and yellow brimstone. As he concentrated, vivid blue wisps licked around the ball of his smooth yellow scalp. His yellow eyeballs popped in puckering yellow eyelids, and blue flames the color of chicory flowers burned within his irises. Cladding him in an aging citrus yellow suit, a chintzy second skin tailored in the same hue as his actual skin, nature rendered him a plump piece of fruit gone bad. What tree this elemental monster had fallen from could only be named inevitability; for in a universe where each action had an equal and opposite reaction, someone had to hate love.
A round gray shadow claiming the grand mass of the grotesquely yellow, elemental man hovered like a cosmic cape over the black slate chalkboard in front of him. Yellow chalk comprised of pure sulfur squeaked, and a frenzy of bright blue sparks charged out from him while he furiously wrote in bold capital letters the name of a woman whose love for love he despised in particular, a woman who just happened to be the hottest woman in the world and was aptly named:

ELECTRICITY.

The haunting chalk squeak died off, then snuffed under the imprisoning vastness of the mine he used as his headquarters. The chalk he poised high between his ghastly yellow-stained and pudgy fingers while he paused in deep thought. His hands too were a bright yellow, his skin palpably sulfuric. He rolled the stick once, triumphantly, and his powdery yellow skin marked its contours.
A window into the human world swiveled around him, a ghostly optometrist’s assembly of examination lenses. Two binocular lenses hardened in tandem with his thinking, extended toward him from the subatomic television contraption and fixed to his eyes. Through the lenses he spied on the hottest woman in the world, discovering she was affixed to a wall of ice, her silver ice-climber suit rendering her into a reflective sideways profile, into a slick chrome decal shaped almost like the iconic trucker mudflap girl. She clung in this sideways position by the dint of metal claws bolted to her silver boots and specially engineered gloves, which reminded him of steel dinosaur jaws.
Sulfur thought hard about smiting her from the face of the ice cliff as much as one might flick an ash from a sleeve, but this thought tumbled uselessly. He did not have the power to harm human beings, not directly anyway, and so he mulled other options that would relieve this woman from her quest to find love.
A small animated pin on his lapel encased in a clear vial a singular atom of sulfur; it was not visible to any human naked eye and barely so to the human electron microscope. In addition, on a much larger scale, embroidered in sulfur crystals on the lapel of his sulfur chintz suit—which otherwise looked a lot like a business suit—was the identifying capital letter S with a smaller numerical denomination of 16. S16. Three atomic rings stitched around the S16 and, being animated with real electrons, whirled around the neutrons comprising his tiny heartless heart. By these markers he was, in the elemental world that functioned inside human reality, encyclopedically identified with the element sulfur.
This elemental male-mannish-entity was thusly named Sulfur. He had, after a few billion aeons of hating love, watching several spaghetti westerns during the advent of human cinema—and later becoming rather fascinated with the rise of the New York City mafia and Murder Incorporated in particular—brocaded in his imagination a vision of himself as a sulfur desert dwelling, train robbing, mafia don of hatred. Subsequently he enjoyed pulling his hand out of his pocket with two fingers pointed gun-style and playing imaginary target practice with human hearts. Eventually, though he really had no one to call him by it, the weird yellow loner had taken on the last name of Toughlove.
Performing his hateful deeds in the expansive sulfur bowel located in an anti-terrestrial nowhere, Sulfur further christened the cave which had birthed him, Toughlove Incorporated. Here the Element—which was what all of the other Elements recognized him as—strategized how to keep amorous people apart. What elicited from his elemental chalk upon his elemental slate always came into play in the world of human love. Such was the power of his hatred and its reach outside of his bright yellow darkness.
If the human loveless and lonely knew who they could blame for their plight, it would be Sulfur Toughlove, the King of Bad Timing. But humans did not know, so they blamed the causal effects of their world—Newtonian mechanics and its gravitationally guided rotten apples—on the hopeless condition of their solo hearts.
Sulfur, himself an aforesaid funky fallen fruit, performed his hateful acts simply by thinking them, or if he was feeling especially brilliant, by conjuring them up. Sulfur Toughlove’s negative vibes spasmed through the subatomic ocean of human reality. His tentacled intentions darted viciously into the positive juju of love just like wicked jellyfish stinging drowning divers straight in the heart.
His black art of bad timing was known keenly to the other beings of his atomic ilk: the much more charmed group named The Elements. Each Element also took his or her name from the periodic table of elements and his or her gender from somewhat superficial—even stereotypical—qualities each possessed. There was Hydrogen, whose explosive personality kept him away from events likely to split him in two. There was Carbon with her diamond eyes and tapering black nano-fingers that could reach through dimensions. There was youthful, androgynous Neon who loved to light things up, especially night and parties. And indeed there was within the aether forming the human universe every other Element. Together their atomic interactions comprised the sails upon which the terrestrial blue marble circumnavigated the incredible solar system.
At least some forty millennia after the Neanderthal phase, when burying the dead developed into the more specific culture of wearing black to bury the dead—and then black suits became a fashion rage for the serious and the artsy—the Elements voted to take on human form. Carbon, with her surplus abundance, helped tailor black nanotube skins for the Elements. Within the suit lapels a small pin with their uniquely identifying atomic insignias, borrowed from the human periodic table, were embroidered. With the exception of denuded Sulfur, who had outcast himself and whom Carbon refused to clothe, each other Element wore their full black carbon suit during business hours. Just as glass vessels in a chemist’s lab gave shape to the earthly forms of the elements—mercury in a triangular vial was triangular for example—so did the suits contain each Element’s equilibration between crystal, liquid and gas and provide them with their human shapes.
The black suited Elements assembled frequently in a United Nations stylized great hall. Here below the scalloped seating but above them all in pure power, reigned the eternally youthful Lord of Chemistry himself: Cupid.
Three Element seats had become vacant in the past five hundred years after the rise of romanticism. Sulfur, again, was the principal contrary one, having defected from the group after a coup, during which he had stolen an atomic pocket watch, which was key to orchestrating the timing of the human heart—not just its beating but its curious nostalgia for romantic company, indeed the timepiece governed even the precious aching and precocious swooning of the human heart. Sulfur had stolen this critical timepiece from his foe Cupid, and on his way toward building his own kingdom, he had managed to sway both Oxygen and Arsenic to join him in his poisonous quest: namely, to disrupt human love whenever possible. It was simply his bilious nature to hate love.

The cavernous Toughlove Incorporated echoed with an insistently sinister ticking-tocking, amplifying the atomic pocket watch now neatly fastened to Sulfur’s yellow waistcoat by a yellow crystal chain. against Sulfur’s bulk the watch was really no larger than a grain of sand. Through this watch rippling gold and silver energy danced, obeying an atomic waltz of love—perhaps even Strauss’s Voices of Spring. Indeed the potent and trade secret chemical formula for love was intricately wound and orchestrated inside its fine metallic machinations, which geared together like a Swiss watchmaker’s design of the human heart. Tiny titanium heart-shapes literally pumped liquid mercury, emitting the pulsating tick-tock, and as they did, nanoscale arrows filigreed from platinum shot around the interior body of the watch.
As much a Sulfur loathed the cutesy ornamentation and its lovey dovey soundtrack, he put up with it as he would an irritating pet bird. After all, whoever possessed this watch possessed perfect timing.

Sulfur pulled back from spying on Electricity, and the collection of lenses surrounding him withdrew, giving him ample space to review his chalkboard once again. Struck by a novel idea, he leaned forward. The sound of the pocket watch’s careful temporal precision was momentarily overwhelmed by another shriek of chalk against the board. Spidery blue flames skipped from Sulfur’s fingers as he etched out a plan. His face twisted with plotting, and with the intensity of a general commandeering a winning war game move, Sulfur slashed out a simple X then rounded out an O over the word Electricity. Under the X symbol, respectively, he wrote the name Lucky. The two words sat side by side, like yellow strangers on an expansive black plane of nothingness, too afraid to peer at one another: 

O                               X
                                                       ELECTRICITY             LUCKY

The words looped out in his generous, even baroque penmanship. He stood back, his seven-fold yellow chin bullfroggishly billowing over his tight collar. His bugging eyes clacked together like angry billiard balls as he contemplated his next move.
A soft felt-block eraser, rampant with dusty yellow handprints—indicating his intimate relationship with the object—snagged his attention. This was the special tool he applied when he wanted to erase attraction between two people. When he reached for the eraser, the fabric of elemental space and time, a quixotic puzzle of atoms and atmosphere, rippled violently around his girth into an eddy of energy, shoving him backwards into his cave. He grimaced and shouted, “No!”
Within the air engulfing him, the frenzied molecular world rapidly chilled, capturing Sulfur in an aetheric rain storm.
A teeny-tiny man-boy—Cupid—zoomed past him on wings beating as fast as a hummingbird’s. He even seemed to be a small bird from a distance, such was his size in proportion to Sulfur. He paused in front of the slate chalkboard with hummingbird stealth, his little plump body suspended in freeze-frame while his wings beat about seventy times per second. His black carbon suit was tightly tailored, and a heart woven of ruby crystals was woven into the fabric directly over his own heart; he looked like a baby meets a Wall Street heart broker. An incision between the shoulders allowed for the free range of movement from his wings that were at once jeweled in pink and red gemstones and woven together with fine gold crystals. His cherubic lips puckered and shimmered like sugar-coated crimson apples under white and flecked gold irises. In every way he was a candy box, Valentine version of himself come to life.
Cupid rotated from the chalkboard, focused with consternation on his heisted pocket watch, muttered the phase change equation for turning water into ice as if it were some form of abracadabra, then zipped around and around Sulfur, making a dizzying spiral. In response, crystal snowflakes illuminated and spun all around the cave. The air grew colder and colder until the criss-crossing snowflakes solidified into a blown out blizzard. Sulfur imploded into a yellow fleck, and after a moment he was buried deep within an inverted mountain; nothing but the sharp spit of white snow flakes blew in from every direction. Magnified, each flake proved to be shaped into one of Cupid’s arrows, and the mountain proved to be the peak known throughout the human world as the Shark Fin of the Himalayas.
Though the personified Element named Oxygen had crossed over to Sulfur’s yellow side, she was so abundant that Cupid easily harbored a reserve of her atomic power. This reserve, mingled with humble Hydrogen, produced molecules of water on such a vast scale that life and eventually love evolved out of the aquatic realm. Winter sports too.
Through this terrestrial snowstorm, two eyes as brilliant as diamonds pierced the white out. Steely striations radiated from the pupils, tightening to pinholes against the raging white out. These were the eyes of Electricity, the hottest woman in the world. The snowflakes covered her silver suit, wrapped sleekly around her curves and after a moment each miniature crystalline arrow, comprised elementally of chilled hydrogen and oxygen, melted. What other physics came together, what accident of natural intelligence, birthed both the mountain ranges and the woman who would climb them, birthed the majestic Mt. Everest and the Sherpas who would guide through them, surely played some role in the making of this woman.
Her irises seemed to be every known human color; at once they were blue and glinting with amber or star bursting emerald and flickering with white gold. Her black eyelashes were at once Asian and sub-Saharan, high-stepped, Eskimoan and Polynesian or a splash of Caucasian. Her lips were as full as Cupids. She was every woman, somehow, all at once.
The seemingly supernatural genes that had made her an every woman had, for reasons unknown to all, also wired her body temperature a little too high. A startling anomaly, she was in many ways simply too physically hot. The silver suit cloaked the color of her skin, but it was indeed a tangibly human skin—one could go so far as noting it as amber in color, slightly resinous and glowing as sunlight struck her face, exposing her body heat. Her bane: she was too hot for any man to touch.
She heard her name being called, “Electricity!”
Through the billowing snow layers the wind whipped back upon itself, and she spotted a fellow mountaineer submerged in a pristine and deadly drift. Black goggles with amber lenses shielded his eyes, but by the way his face sunk, she knew he had just fallen unconscious. She plowed toward him, the arrow-headed ice melting around her, and she dug the man out with her thinly gloved, hot hands. A sunlight shaft, a natural golden spear as finely wrought as any inside the pocket watch, shot through the thick gray snow clouds and bounced off her silver clothing, bathing her in a warm celestial glow.
Distracted by it, she looked up at the sky for a moment. Behind her she heard her name again. “Electricity!” She turned her head, squinted and saw a Sherpa, his face a slit inside the foxy blossom of fur around his head. He witnessed the woman, visually isolated in the orange-gold glow, and he was hypnotized—as if the howling wind was a siren singing love’s lost lament. But then the shrill wind pierced his numbing mind, and he snapped to. The sudden storm was the most alarming he, a native to the Himalayas, had ever witnessed, and he clocked his fear. “We must turn back! There is no way to make it to the summit!”
Within the origami-like folds of space and time, in his own headquarters within the elemental world, Cupid watched the scene in a kind of living, microcosmic box, and his candy-apple red lips pouted into a smile. He flew to his chalkboard, which was a circumference of slate literally miles long. It was riddled with endless equations sputtered out in his own tiny handwriting. Centered within it all, were written in his ornate penmanship:

 Electricity     Lucky.

He quickly halted and hovered, his wings spangling with vivid red light, revealing that the webbed scales were in fact overlaid heart shapes. He held up his own pink chalk stick—made of rose quartz calcite—and rapidly, within the beat of his own hummingbird-sized heart, he wrote out a plus sign:

Electricity + Lucky.


The very air throughout the entire earth became charged with pink static electricity, and a ferocious wind blew through the pursed lips of a gray cloud. A rose pink bolt of lightning ejected and splashed over Electricity, who might have paused again to reflect upon the majesty of nature if she was not otherwise engaged in saving several men’s fiercely frozen and soon to terminate lives.

Monday, October 19, 2015

Note from a Homo sapiens: AUDIO ART or Voices Uttering in between Brooklyn Black Noise

A couple of days ago I completed audio narration of my very involved, convoluted cybernoir epic, Black Hole Butterfly. I had dreaded the undertaking, as it had occupied much of seven years on weekends and stolen moments between the rest of life to write the thing. I was not enthusiastic about reading aloud every word of it and essentially reliving it. Not that I don't love the story; I just have so many others I long to tell.


I planned out a month during the summer, however, to do just that. Prior to the 4th of July I commenced the undertaking, just in time for the new landlord to commence construction, six days a week, which is still ongoing. This made the undertaking a journey against the noise current, prompting me to push against the churning noise of Brooklyn, localized in hammers and airplanes making their landing at LaGuardia airport. In between barking dogs and knife fights, I sought moments of silence or near silence, and word by word I spoke aloud the entire story. So, not only did I relive the story in extreme slow-motion, I became incredibly intimate with my voice and then not even my voice but the position of my mouth and lips and tongue and teeth. Many times I pictured my skull resonating these sounds, and I began to relive the emergence of language in all of its complexities via my species. I wondered from time to time what the whole story would sound like if it was read aloud in Japanese. Or Spanish. Or Navajo. Sometimes I drifted so far away from the meaning of the sounds that I felt like an alien soundbox. Ultimately I marveled at the complexity of imagination woven out of 26 simple letters my species uses in the English language. And of course over the four months that it took me to record the book, I'm certain my dogs wondered why I was talking to myself in the closet.

Should you chance upon this post, please take a listen for free, and be forewarned, I've been called a female Tom Waits. This is not just some pass-the-time audiobook. This is a work of audio art. If nothing else, I will pirate radio station it out to the cosmos in hopes some other species will receive my transmission. After all, we are all here to discover why we are here. I just tucked my discovery into something named detective fiction... Listen to salem x on Soundcloud here.

Wednesday, September 16, 2015

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Goodreads Book Giveaway

Joe4 by Salem

Joe4

by Salem

Giveaway ends September 23, 2015.
See the giveaway details at Goodreads.
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In October my exclusive deal with Amazon will expire and the iBook, interactive version will become available. More soon!