Wednesday, September 16, 2015

Free Alien Abduction TODAY!

Get abducted by alien music.

Yes, folks, if you own a Kindle get your free copy of Joe4, a science fiction novella, today through September 18th:

U.S. http://amzn.to/1hQQLjh

UK: http://amzn.to/1EvnCnt

DE: http://amzn.to/1NKvapv

FR: http://amzn.to/1Kp2YYS

SP: http://amzn.to/1IDxJC3

IT: http://amzn.to/1Kp3eHn

NE: http://bit.ly/1UoYK2M

JP: http://amzn.to/1NKvMvf

IN: http://amzn.to/1EyT30p

CA: http://amzn.to/1JJByGC

BR: http://bit.ly/1Evp1KS

MX: http://bit.ly/1O5wDUr

AU: http://bit.ly/1VtmLIo

Not a Kindle owner? Win a paperback and a conductive bookmark via Goodreads here:


Goodreads Book Giveaway

Joe4 by Salem

Joe4

by Salem

Giveaway ends September 23, 2015.
See the giveaway details at Goodreads.
Enter Giveaway
In October my exclusive deal with Amazon will expire and the iBook, interactive version will become available. More soon!

Monday, September 14, 2015

Zoonomia: A Manual for a Hyperconscious Homo sapiens

The concept of evolution is recent but its catch-phrases dominate how my generation perceives its place in the universe and the pecking order of species.  Much as the Batman phenomenon is a pop culture trend floating on the top of the oil slick of consumerism, the language stemming from Charles Darwin's theory percolates to the surface of our current worldview in bumperstickisms: survival of the fittest and natural selection being the two most succinct phrases we use daily to boil down the how and why, not just of our genetics, but of the very rationale for our existence.

This document is a step toward giving evolution some new language. If you watch the most recent Cosmos series with Neil DeGrasse Tyson, you'll find the producers scripted his narration by relying on bumperstickerism. This is how he explains why polar bears are white like snow: gene mutates white, nature selects white fur that blends in with snow because it protects the species. End of story.

Really? How does consciousness fit in to evolution?

We have reached a place in our history where we can transcend self-consciousness and gain a mastery of our neurophysiology. Consciousness, a condition of advanced life, is becoming more conscious. It was a mere 140 years ago that the cataloguing of physical trends led to the theory of evolution and only in the last 100 or so that psychology rose up from the ashes of astrology to generate more "scientific" language for describing mental qualities and conditions and providing a newish basis for dream interpretation.


With technology bringing brainwave analysis to the consumer, we have reached a fold in the evolution of consciousness, a self-retiterative fractal cove where the mirror-like nature of consciousness can take a look at itself from a new perspective. Technology is the harbinger of this perspective, and I propose that first and foremost the concept of what is technology and, subsequently synthetic, be re-examined. We can start by returning to earlier senses of the word "plastic," a word Darwin utilized to describe the malleability of life forms.

Revolutionize your world by revolutionizing the language you utilize every day. If you dumb your life down through bumperstickerisms borrowed from Darwinism or from any other dilution of pop culture science, you may not be able to seize the grandeur of your existence and capitalize on your consciousness. Let's revolutionize language and make a manual for proactive evolution.

In my novel-in-progress, titled Zoonomia, the main character becomes a new species by insisting to those around him he is not a Homo sapiens but a plastic monster. In what some might call my field research, I have thoroughly enjoyed taking the subway trains in New York City and looking at people as nothing other than plastic monsters.

This novel is really an exploration, even a work of philosophy, regarding how we acclimate ourselves to "reality" through language and ultimately explain our lives away. This is a problem of the current paradigm, in which monetizing and data mining is paramount to exploring and even exalting in being alive and conscious.

Language, however, is extremely plastic, just like consciousness.

In our new paradigm of future now, where someone like me can fabricate my own EEG equipment with a 3D printer and simple microcontroller--and explore deeply, for example, the narrative light phenomenon known much more simply as the dream, I think we will have the opportunity to reintroduce plasticity to the language of evolution. Not as something cheap and recyclable but eternally malleable.

Go look at yourself in the mirror. Are you not a plastic animation? Perhaps even a plastic monster?

More about my work is here: www.metapulp.com

Monday, September 7, 2015

Paperback Hack

My fiction is filled with conductive ink and its quantum prowess. While only in imagination am I able to summon the passion of dead writers such as William Shakespeare, the pop culture trends of the maker movement have at the very least introduced affordable conductive ink to the marketplace. I do like to believe, and quantum physics does allow it, that the essence of an author's motive is sustained in their actual writings. Most pencils and pens, inks especially, are prone to conductivity.

As an author, paper and ink are my main media. I have no qualms about investigating the carbon basis of my media, and I especially enjoy investigating the other side of written language, namely the oral tradition from which it descends. This side of my art leads me into sound, the bio-acoustics of our languages. Cool stuff indeed.

When I first saw the Bare Conductive Touchboard, I knew I was fated to own one. This is a simple Arduino based micro controller that incorporates mp3 player sensibility, so basically anything that can send an electrical impulse to it, from tomatoes to their own Bare Ink, can be used as a sound generator.

I decided to incorporate this into a novella I wrote, in which essentially the protagonist gets abducted by alien music. Yup. I also decided to insert a keyboard into the paperback. This blog entry is basically a how to for hacking a paperback.

1: Get a paperback, for example Joe4 by me.
2: Add conductive buttons or sensors or even a keyboard to it, like this:
3: Connect to a micro controller which houses mp3 audio data and hit the buttons like this:


I employed a Kickstarter campaign to fund my fledgling audio studios, and this enhanced paperback/conductive ink/audio book package was the maker package most backers selected. I somehow knew in advance it would be difficult making a nice conductive ink screen print on the paper that comes with these print-on-demand books. And I was correct, so I had indicated I would make a "bookmark" midi-synthesizer on wood veneer to go along with the package. After stumbling my way through learning screen printing and playing around with techniques to get nice quality conductive ink prints, I was able to make a clean screen print and the bookmark as pictured here:

In addition I recorded each chapter and produced my first audiobook. An initial reviewer laments my voice as a kind of bad impersonation of William Shatner. Since I've frequently gotten comparisons to Tom Waits, I say this is a good thing. Voices are unique bio imprints for most certain!

I had promised my backers that I would also include alien music with this keyboard, so I did go ahead and generate some tunes via Ableton, the audio program I use for all recording and for midi work. I don't expect these to be the greatest alien hits of the universe any time soon, but feel free to listen to them on my Soundcloud channel:


And if you're in the mood for some bad William Shatner, please feel free to listen to the evolving Black Hole Butterfly mega-novel on Soundcloud or even pay good hard-earned money to listen to my to-be-abducted-by-aliens-voice via Audible. Have a great night!